While the immense Mothership across Broadway is at least a year away from opening, the Nordstrom Men's store near Columbus Circle is now prominently posting 'Help Wanted' notices —right in its windows. While the notices are a bit tongue-in-cheek —we don't think that there is actually a position called 'sock svengali' at Nordstrom— their presence indicates that the retailer has set a firm opening date for what is the most significant men's store to to open in New York City since Bergdorf Goodman took advantage of an exceptionally good real estate deal to open its separate mens store in 1990. New York Magazine published a simple floor plan of the store in its current issue with a few highlighted items that don't seem earth shattering, but suggest that Nordstrom is looking to stock up on some cultish, New York-y items like Le Labo beard oil and and Mykita sunglasses which are far removed from the classic but accessible fare that made Nordstrom into a Menswear powerhouse. Little other early info has been released, but it's Nordstrom, so we can safely expect an extensive Mens tailored clothing presentation and an enormous shoe shoe department built to compete in a city now known for its enormous shoe departments. Add competitively pleasing service to that mix, and you should have the menswear staffs of Barneys, Bergdorf's, and Saks on their toes and on notice to see how this new interloper will stand up to the hometown faves. Its only a few months away now, so start the countdown.
There may be no more anticipated Fall 2017 product arrival on its way than Raf Simons'first runway collection for Calvin Klein. New creative directors like to make an impression and show transition. Simons, the Belgian wunderkind who stabilized Jil Sander after a revolving door of designers including the label's namesake herself and similarly revamped Christian Dior after the unplanned exit of John Galliano, is remaking the iconic American fashion label in his own way with slow, deliberate changes that are quietly surfacing to be discovered spontaneously. The latest step in the turn-around of this ocean liner can be seen in a new music video for the song "I Dare You" by The xx (watch above), a cool band chosen in the hopes that an equal degree of coolness will be conferred upon the Calvin Klein brand. Along with the band members, the video features Simons' newest choices for his brand ambassadors including Paris Jackson, Stranger Things star Millie Bobby Brown and Moonlight star Ashton Sanders (who has already appeared in a Calvin Klein Underwear campaign with his co-stars) alongside models Lulu Tenney and Ernesto Cervantes who have appeared in Simons first runway show for the brand as well as in subsequent ads. Though the Alasdair McLellan directed video is not presented as the kind of "Fashion Video" that Tom Ford did with Lady Gaga and a gaggle of top models a few seasons ago in lieu of a runway show, everyone in it is dressed by Simons in items from either the Jeans or Underwear lines or recognizable looks from the main collection, now re-dubbed CALVIN KLEIN 205W39NYC (caps, apparently, mandatory). End credits confirm the collaboration, and identify the cast members.
Simons' new concepts for the brand are making themselves visible in other ways as well. Macy's, a major retail outlet for the brand, has unveiled a new selling space for the Calvin Klein Jeans line on the third floor of the men's department (pictured above and below), featuring an intriguing combination of industrial concrete and royal blue curtains. It is unclear if any new product designed under Simons' direction has arrived in the store, but the shop is marked by his new, all-caps logo for the brand, and the designer's earliest advertisement images featured vintage jeans from the company archives, indicating that updating the denim division is a priority.
Elsewhere in the store, eagle eyes will notice that the moderate white label apparel collection is being identified with a tweaked version of the previous logo, or, shall we say, an un-tweaked version of the original logo that was subtly updated in the early 1990s. 25 years later, Simons seems to be reviving that original, iconic font for the widely distributed department store lines including underwear which will allow for retaining that famous Calvin Klein elastic waistband without much change, creating some continuity with the company's largest customer base.
As for the high profile runway line, it is just getting to be about time for it to start arriving in, if reports are accurate, substantially more stores than have recently been carrying it.
Once a strong mainstay of designer floors in nearly every upscale department store, the collection diminished in distribution dramatically over the past 15 years despite critical acclaim for previous designer Francisco Costa. The longstanding in-store boutiques in Bloomingdale's and Bergdorf's are now long gone, and while Saks Fifth Avenue continued to maintain a sparsely stocked Calvin Klein Collection boutique, that particular store is undergoing a massive renovation, so it remains to be seen if and where a new in-store shop will appear. Will Bergdorf's, which was once home to one of Calvin's most successful in-store boutiques, find a new dedicated location for Simons latest efforts after great success with his work at both Dior and Sander? We may find out in just a few months. In the meantime, for anyone who wants to check out the debut runway looks more closely, Bergdorf's, Saks, Neiman Marcus and Barneys New York are all featuring the 205W39NYC women's collection for pre-order on their websites —with Barneys featuring the men's line as well. Though the single remaining Calvin Klein freestanding boutique on Madison Avenue and 60th street has updated the logo on its marquee, the last time we walked by, we saw no merchandise in the windows at all, and it appeared that, like the rest of us, it too was waiting to fully transition into the new Raf Simons era of its brand. It may only be days away.
There was one thing we were all certain of when the Nordstrom Flagship near Columbus Circle was announced: It was going to take a looooong time to build.
Initially announced as part of new wave of midtown skyscraper buildings, the upcoming store began to grow as it acquired space across the street at 3 Columbus Circle and then it was announced that adjacent buildings at 1776 Broadway and 5 Columbus Circle would be incorporated into the growing flagship including major restoration work on parts of the storefronts —which will probably make it take even longer. There's one part of the store, however, that shouldn't be hampered by complicated construction issues, and that's the Nordstrom Men's Store that is slated to open across the street. While the opening date of the main store has been pushed to 2019, new signage in the windows of the upcoming men's unit announces a Spring 2018 opening, a full year, at least, ahead of it mothership (pictured at right). Obviously, the advantage here is that the store will open in a building that has already been built, and like any good retailer, the chain wants to get this freestanding component open as soon as possible. This will make Nordstrom only the second major store in Manhattan to house its men's department in a completely separate building on another block since Bergdorf Goodman opened its Men's Store nearly 27 years ago at 58th Street and Fifth Avenue. It helps that Nordstrom has one of the most developed Men's businesses of all the higher-end specialty department store chains. It has long been said among menswear vendors that if Nordstrom is one of your clients, it is likely to be your largest, and over the past decade, the company has made great efforts to evolve its menswear offerings from traditional middle-of-the-road fare to a broader assortment including more international designers and directional labels. We will likely see more evolution in the new store as executives have already promised an extra-special presentation for New York. As the city's erstwhile men's tailored clothing champion, Barneys New York, has jettisoned all but the most luxurious tier of its men's suit offerings, there is an opportunity for Nordstrom to pick up some of that slack as the city is still home to substantial legal and financial industries where lots of men still need nice suits for work. Now, we can be fairly certain that there is less than a year to wait to see how Nordstrom will address New York's menswear market as well as to see the first glimpse of the massive upcoming flagship project.
There isn't exactly a Critical Shopper column in this week's Thursday Styles, but Jon Caramanica wrote about going to Barneys in Chelsea, so it seems to be one in all but name only. As per usual, the review begins with a little nostalgia. This time its our quasi shopper's memories of a Brooklyn childhood where the thought of Barney's (It had an apostrophe once) seemed too fantastical to be real (except that Mom had been quietly shopping there for herself all along). But that was a different Barneys than the one that currently sits on Seventh Avenue between 16th and 17th Streets. Even Caramanica notes that this new flagship store seems to be missing something, or a lot of things. "It’s like the airport version of the Madison Avenue store, perhaps more a suggestion of actual Barneys than the thing itself," and then, "It’s the MP3 to the FLAC file of the main store," —remember, he's a music writer too. Well put, although, to us it's more the the remix that bears almost no resemblance to the original track.
After all, Barneys in Chelsea is essentially a women's store now. The store that built itself on men's suits now devotes only a fraction of its space to any kind of men's apparel, and there is neither a traditional tailored suit nor a necktie to be found in the entire place. Caramanica calls the merchandising scheme "ruthless" allowing for only the most reliably profitable items, which is why, like in any other department store the main floor is an "ocean of handbags", and Chelsea Passage, the home department named after the neighborhood where it was born, has been neglected altogether. In the end, our shopper finally finds satisfaction in the basement in the chair of the Blind Barber, which tells us that maybe the inevitable comparisons to other versions of the store miss the point at the new Chelsea Barneys.
While the revamping of Bergdorf Goodman's 57th Street storefront as part of the store's current top-to-bottom renovation has still not been completely unveiled, it looks like the 58th Street side is up for a revamp that is almost as dramatic. This week, plywood scaffolding (pictured above) appeared covering the ground floor exterior and what is officially the store's front door. As on 57th Street, a life sized rendering covers the construction area showing the familiar big display windows (visible on the right side of the photo below) replaced by a series of smaller vitrine-type windows which are more suitable for showing off accessories, shoes or other small merchandise items. It would appear that the windows will be framed with green marble to match the arch around the main entrance that they flank, though it remains to be seen if any of the white marble accents that have been added to the 57th Street renovation will be used here. The new windows on both sides will now reflect the reconfiguration of the main floor selling areas with the fine jewelry salon on 57th Street and a consolidated handbag and accessory department on 57th. It took until the late 1960s for Bergdorf's to expand enough to fill up the entire building it currently occupies, but the 58th Street side has been part of the store since the building was completed in 1928. Since then, it has remained essentially intact architecturally, windows and all —until this week.
When the construction is completed, the building will have lost the original storefronts on all three of its street-facing sides. As we have pointed out before, the entire building is on a fast track to be considered for City Landmark designation before the end of this year which would preclude any further alteration to its exterior. The more it is altered, however, the less likely it is to be landmarked —which would please both the store and the building's current owner who are not in favor of landmarking. The redesigned façade should be finished in less time than its counterpart on the other side of the building since the dramatic arched entrance is expected to remain intact, but that will one of the few architectural elements left on the exterior street level from when the building was originally finished.
The reveal of Bergdorf Goodman's new 57th Street storefront is happening at a very protracted pace, but recently part of the redesign has been revealed (pictured above), and it looks even more different than we expected. The new Jewelry Salon which spurred the renovation has been open for weeks, but the unveiling won't be complete until the exterior is fully visible.
While the design of the new jewelry display windows is rendered on the plywood scaffolding covering the construction area (pictured below), the three actual windows that have been uncovered show details that aren't necessarily evident on the two-dimensional preview. Unlike on the rest of the store, the outer borders of the new windows are a contrasting gray stone rather than metal creating a more varied look on this side of the store than we were anticipating. Lighter gray marble surrounds the actual windows whose frames are made of beveled glass tiles, another material not found elsewhere on the building which should create a striking effect once the display lights are activated. The design echoes the faceted display cases inside the store. The biggest surprise is the expanse of white marble between the windows, an element that is not depicted on the rendering which suggests a more seamless looking update. What has yet to be revealed, and appears to be under wraps for a while longer, is the redesigned entryway meant to replicate the store's front door on 58th Street along with the Juliet balcony above it. Once it has been revealed and the lighting fixtures and new awnings are installed, we will have the full picture of the store's new 57th Street face. The only other thing that remains to be seen is how the dramatic alteration to the building will affect the New York City Landmarks Preservation Commission's decision regarding the entire building. Last week, it was selected among a series of buildings put on a fast track to be considered for city landmark designation. Neither Bergdorf's nor the building's owner are in favor of the designation, which would disallow any further alterations. The costly new construction shows that two of the building's three street facing exterior walls have now been substantially changed from their original with stylistic elements that are not strictly in keeping with the period architecture of the building. That could potentially disqualify it as a historical landmark. It may be months before we learn the commission's final decision, but hopefully it will be only a few more weeks before we see the rest of the new storefront.
There's a silver lining for true blue Donna Karan customers who were caught by surprise with last year's announcement that the superstar designer's main collection would be folded in favor of a revamped DKNY collection designed by the guys behind the Public School brand. With Donna herself relinquishing creative responsibilities at her namesake label, would this be the end for her as a designer?
As it turns out, no. In at least one store, her side project will take center stage.
In a not terribly surprising development, the Donna Karan Collection shop on Bergdorf Goodman's sixth floor, currently in its last days of selling her final Resort collection, will be converted to an Urban Zen shop by the middle of next month. For those unfamiliar with the line, her website describes Urban Zen as ". . . a philosophy of living by Donna Karan, touched and inspired by cultures and artisans from around the world. We give back by supporting the Urban Zen Foundation, which has a mission to raise awareness and inspire change in the areas of Preservation of Cultures, Well-Being and Education."
Put more simply, it is also the name of three freestanding shops in New York City's Greenwich Village, Sag Harbor, New York, and Aspen, Colorado that Karan has operated for several years independently of the now LVMH-owned fashion empire that she founded in the 1980s. Now, the line will take over Karan's Bergdorf boutique in what should be a fairly seamless transition. So far as we know, this is the first time that Urban Zen has entered the wholesale business, likely because, in previous years, it would have been too great of a conflict with the former Donna Karan Collection. Karan's fans who are unfamiliar with the label will be comforted to find that the apparel offerings, limited though they may be, basically look like classic Donna Karan designs including draped jersey dresses, roomy cashmere sweaters and leather accent pieces as seen in the image above from the current offerings. Don't be surprised to see Urban Zen's home accessories and other items in the shops well. Given one of the designer's longtime pet peeves that has returned to the fashion conversation, you can also expect the merchandise to be sold in-season with winter clothes in the winter and summer clothes in the summer.
Donna Karan has always had a special relationship with Bergdorf Goodman. It was where she launched her own label, and her personal appearances at seasonal trunk shows were known to cause mob scenes that nearly gridlocked the entire floor.
Bergdorf's won;t be the only store left with a gap in its offerings. Saks Fifth Avenue also has a Donna Karan shop on the second floor that, as of last week, was still offering what was left of the final collection. While they might not be looking to add a new shop to the floor that will soon be converted into a grand beauty department as part of a top-to-bottom store renovation, the development at Bergdorf's suggest that we might see Urban Zen grow a bit more to fill the inevitable void left by the end of the original Donna Karan label with new Donna Karan-designed merchandise.
Yesterday, the New York City Landmarks Preservation Commission held a public hearing to clear out a backlog of proposed landmark designation for over a hundred buildings in New York City, among them, The building that houses Bergdorf Goodman at 754 Fifth Avenue. While over 60 buildings were rejected for various reasons, the Bergdorf's building was included in a group to be prioritized for a final vote by the end of 2016. The store itself, which holds an extremely long-term lease on the location, has been fairly quiet about the developments, but the owner owner of the property is known to oppose a landmark designation.
Wouldn't it be a prestigious honor to have the building protected and singled out for its architectural contribution to the city?
Well, sure, but it's not that simple.
Once the building has been declared a landmark, it precludes any further alteration to its exterior, which can be a challenge when it houses a thriving business like Bergdorf's which may want to make upgrades and renovations to suit its needs. Currently the store is finishing up a major alteration to its 57th Street façade for its new jewelry salon (pictured above) which would not be permitted after a landmark designation. Occasionally, the commission requires that owners return buildings to their original state as much as possible, which can incur great additional expense. Alterations for business purposes are not entirely unheard of, however. During the 1990s, the landmarked Rockefeller Center got a special dispensation to substantially increase the size of its store windows on its Fifth Avenue side after a lengthy series of discussions with the commission. Ralph Lauren's flagship boutique at Madison Avenue and 72nd Street in the landmarked Rhineland Mansion was also substantially altered to create store windows and entrances when it was opened in the 1980s. In both cases, however, the original building materials have been carefully stored and numbered in the unlikely event that they would be returned to their original positions to restore the buildings' original design.
For its part, Bergdorf's exterior is not in its original state either. The building was constructed on the site of the Vanderbilt Mansion, but the store did not initially occupy it in its entirety when it moved in in 1928 to the northern portion of the building with its entrance on 58th Street. The Fifth Avenue storefront was divided amongst several stores (as seen in the image below compared with its current state) which Bergdorf's progressively consumed, eventually taking over all of them by the early 1970s except for Van Cleef & Arpels which still exists on the first floor of the building's southeastern corner. What might keep the building from being landmarked is the major redesign of the Fifth Avenue side of the building which erased the disparate storefronts and installed a unified facade and introduced the big display windows we see there today. Unfortunately, the re-design reflects the post-modern architectural style that was popular at the time featuring outsized detailing free of the kind of refined, carved decoration found on the rest of the building. Now it looks glaringly out of scale particularly on the grand entrance with its arched window and oversized keystone and the large cartouche featuring the store's main sign.
The architectural inconsistency on it's biggest exterior wall might discourage the commission from landmarking the building, especially because the prospects of the store submitting to a restoration of the old facade are essentially nonexistent —if it were even feasible to do that at all. Of course, the commission could vote to landmark it regardless of any alterations because of Bergdorf Goodman's prominence in the city's history and its retail industry. We should know what happens by the end of the year, if not before.
Landmarks Commission Acts On Backlog Properties (NYC Landmarks Commission)
A heavy snow was not anywhere near close enough to keep excited shoppers away from the new Barneys New York flagship that (their designation) that opened Monday on the site of its original men's store on the corner of Seventh Avenue and Sixteenth Street. Barneys' management has been very clear that they had no intention of recreating the old store, and they certainly have not. It is best to go in without looking for the Chelsea Barneys you once knew and loved, and judge the store on its own terms, but the new store does point out just how far current Barneys management has taken the store from its roots now that it has returned to the scene.
Let's begin with what's good about the store. For starters, Barney's current, extremely minimalistic interior design style looks a lot better in Chelsea that it does on Madison Avenue. While slabs of marble, steel and glass have made parts of the home base mother ship look disturbingly like the lobby of a very expensive office building that has been filled with handbags, similar elements have been employed to much better effect downtown in a much smaller space. A broader array of materials and more generous use of carpeting on the upper floors give the store the more intimate ambiance that befits a luxury establishment. The decor is also much more integrated, continuing from floor to floor as opposed to the Madison Avenue location where one floor may feel well appointed and another may have been stripped down to the point where the 'minimalism' just feels minimal (read: cheap). New display fixtures with freeform shaped bases appear throughout the store and with the central spiral staircase they both create unifying visual elements. In an uncharacteristic move for the anti-nostalgic store, the staircase deliberately recalls the Andrée Putman designed steps from the former women's store which still stands around the corner on 17th street as part of the Rubin Museum. As for the merchandise, the women's floor does a fairly good job of condensing many of the offerings from uptown on a single floor. There is some fine tuning left to be finished, and some collections had clearly not yet found their final placements on the floor, but the presentation was strong. In fact, though the Meatpacking District is several blocks away, the new Barneys looks to be some serious competition for Jeffrey, the only real high-end designer level multi-brand store currently remaining in that rapidly evolving neighborhood. Though the main floor is designated for Women's and Men's accessories, it does recreate the "sea of handbags" effect from uptown and the men's section is pushed into a smaller section toward the back —which brings us to the store's drawbacks, chief among them being the way that Barneys, once New York's greatest all-around men's store, has marginalized its longtime core business.
It's not that, the men's department is totally pushed aside. It gets all of the selling space on the third floor. Unfortunately, it has to share that floor with an as yet unfinished Fred's restaurant, so overall, there are substantially fewer square feet devoted to men than there are to women. This may have been something of a miscalculation, because as it happens, when The Shophound visited the store on Monday afternoon, all floors were busy with shoppers curious to see the new Barneys, but the men's floor was packed like it was the height of the Holiday season. Chelsea is, after all, still Chelsea. And one of the not particularly well-kept secrets of Barneys success as a store for adventurous men's fashion was that it was situated right near a couple of neighborhoods known for their predominantly male populations that tended to be more interested in fashion that the average guy (read: gay). Though Chelsea has changed since the 90s, it hasn't changed that much. What's glaringly missing from the store, however, is any hint of the traditional men's clothing that once filled the entire space that the new store occupies. Except for a very modest counter of casual shirts and sweaters on the main floor, the entire men's offering is comprised of high-end designer collections. While the Madison Avenue store still has a floor devoted to pricey European tailored clothing for men, Barneys has, in recent years, essentially walked away from broad and deep assortments of men's clothing that made it a shopping destination even before Chelsea was a bustling gay neighborhood. There is not a Brioni blazer to be found in the new store, nor is there a Kiton suit or a Zegna tie (or any ties at all as far as we could tell). The new store makes it very clear how Barneys management cares about traditional clothing as a core business which is not at all. On the other hand as a men's designer collections store, it is excellent, and the spacious shoe department —again, totally devoid of traditional, classic footwear— is much more comfortable and easier the shop than the renovated one on Madison Avenue, and the fancy sneakers were moving briskly. Another element borrowed from uptown is the lower level beauty department which also includes a small branch of the Blind Barber. Unfortunately, here is where the dramatic spiral staircase falls flat. It's landing takes up so much space in the middle of the somewhat less expansive floor that it pushes the counters to the edges, making the otherwise well merchandised department feel cramped. It also points out the fact that the renovation of the space included the removal of the escalators. While they may not be essential to a store this size, they are rarely unwelcome to customers who may occasionally tire of waiting for elevators or climbing stairs. Also missing is the well liked home section, so any hopes of seeing the Chelsea Passage department return to its namesake neighborhood will be disappointed.
Criticisms aside, the new Chelsea Barneys succeeds in filling a void that was left when its was shuttered on the same spot about a decade and a half ago. Once again Chelsea has a premier fashion shopping destination that can serve as an anchor for the surrounding blocks which, surprisingly, haven't changed a great deal. Despite the fact that Barneys has so little regard for the original store that once stood there that it completely redesigned the facade which had been pretty much untouched, the store still manages to recapture the feeling of being in a special, off-the-beaten-path establishment far removed from the bustle of midtown luxury shopping. Though it is sure to attract its share of tourists, it feels again like a unique, luxurious neighborhood emporium that could only exist in New York. That's no small feat, and it should be enough to make it thrive again —perhaps enough to expand back into the available corner building on 17th street that completed the original men's store and allow it to present a full representation of the Barneys concept.
Barneys New York Downtown 101 Seventh Avenue at 16th Street, Chelsea